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Countryside Softies: Make ALL the Things

Countryside Softies

I have in my possession, via my gorgeous Sister in Law Donna, a book called Countryside Softies.  It’s a selection of animal patterns made from felted jumpers (sweaters) and printed fabrics and basically just oozes adorable and cheerful. It’s by Amy Adams, who has created a series of British Woodland Creatures including otters, badgers and hedgehogs.

They are, basically, fantastic. Full of character and joy and whimsy and fabrics and yum. Now, my fabric stash is not by any means huge, but it’s also not by any means being used up. And so, I have decided to make not just one or two things from this book, but all the things from this book.  Oh yes. I have made my start with a set of bees.

Bees

Slightly out of focus due to breeze and also rush – I had the dog out in the garden with me and he tends to wander off and get lost in a bush if he’s not called back.  (He did dash off as it happens, but was found talking to the other dog through the gate, and not splashing around in next doors’ dam like he usually does).

Bee Singular

This is my favourite of the three. I didn’t have any old jumpers to felt, and while I am planning a trip to the Op Shop to see what’s there (yes okay therefore adding to the stash – sssh) I couldn’t possibly wait a single moment to make a bee. These ones are made of fleece. No machine sewing which may explain their slightly distorted forms (the elongated one I suspect was the last of the late night sewing sessions).

They are now cheerfully hanging in the window above my pitcher plants because that amuses me. I’m easy to amuse.

Next project: Not entirely sure, possibly the fox. Or the otter. Mind you the bunnies are cute…

 

Slap it together style

One long planned project this weekend, and one impulse project. Neither of them complicated, but mentally absorbing like you want good craft to be.

Firstly, the Stamp Box. Yonks ago I bought a set of 6 Vintage Blue Mountains postcards on ebay – and they were in a bulk lot which included some random banknotes and a couple of hundred Australian postage stamps. Now quite some time ago I made a stamp covered box for my cousin, and with all these stamps on hand I thought it was about bloody time I made one for myself.

Stamp Box

It really is as simple as slapping some paint and glue around on a box. Also not a bad idea to spray on some sealer (or brush it on). This one is not particularly elegant, but it’s bright and contains stamps I either remember being in circulation or with really nifty design. I still have a ton of stamps left over (and have ordered another 600 from the same guy for very cheap as they’re so interesting)  and some more subtle ideas up my sleeve. This box is not lined as I intend to store rubber stamps in it, and want the inside to end up all inky and loved looking.

The second project was inspired by an impulse buy at the hardware where I got the box while cashing in a gift certificate. It was “The Little Pot of Horrors”  - a small pot containing both venus fly trap and pitcher plants. They enjoy, according to the tag, having wet feet and the pot they came in didn’t have a water base thing. So while at the Reject Shop for something else which I don’t actually remember (my god, sometimes reading this must be like talking to your great-great Grandmother) I picked up a plain brown pot with a built on saucer and some string.

You know the whole “Put a bird on it” thing from Portlandia? Yeah well in my case it’s “Wrap it with string” because I’m stupidly in love with how string looks wrapped around things. I don’t know why, texture I suspect (and that hessian-y smell of the stuff). So I present to you the string wrapped pot, with bonus wrapped stone as a feature.. uh.. feature.

Wrapped Pot

Made with joy and a metric shitton of hot glue. Yay for hot glue I say!

I’m aware proper bloggers would have removed the aircon remote, tweezers and rubber snake from the background of that photo, but I like to keep it real, yo. Besides, there’s a frame around it. A frame means I’m practically an expert.

Wrapping a pot really is just a case of “glue string, wrap, cover join with something”. All the ends are held in place (under the stone) with the aforementioned hot glue, while double sided tape in strategic places around the pot keeps the string in place while wrapping. I’m rather pleased with it – it looks a tiny bit designer and only cost about $4.50 ($4 for the pot and 50cents worth of string). I also enjoy the fact that the pitcher plants look like they’re all either singing or shouting at each other. Or both.

How to make a Patchwork Planet

earth1

I made this patchwork earth as an entry in the Craftster Craft Challenge for May and as it’s turned out to be a little bit popular and there’s been requests for a tute, I am now tuting. Well, look. I’m not really a tute writer, so let’s call this a Guide. This is how I did it, basically, you may have faster, better or more fun ways to do it in which case go right ahead. As in anything I give a guide for, play explore and embellish to make it all yours.

12 Gore Patchwork Planet

You will need:
Selection of fabrics in blue (quite a lot), Green (a bit less) and white (just a tad. I actually used pale prints with wrong side out, just for more interest than plain white). Also browns if you want to add deserts.
A rotary cutter will make all of this so much easier.
Cutting mat (unless you’re using scissors)
Fabric scissors (even if you’re using a rotary cutter)
Ruler or other guide the size of your squares.
Graph paper
The map below, or another 12 gore map if you prefer.
Sewing machine, or hand sewing supplies and a lot more patience than me.
A ton of pins.
Iron, ironing board.
Stuffing of your choice, or a ball if you want to do that and can do all the maths. I can’t help you with the maths.

Step One

Click that image to open up the map. Grab your graph paper and play around with the print size of the image to get it easily lined up. It’s much easier to have your gores line up exactly with the graph. I’m explaining this badly, I know, but play and you’ll see what I mean. Mine were 4 squares across.

Once you have your map sized, tape it to a window with the graph paper lined up over the top (you can use a light box if you have one, aren’t you a fancy pants?).

Ignore the graph for now and just trace over the outlines. We’ll make it more griddy in a moment. Remember to include the gore outlines as well, otherwise you’ll be in trouble later on.
You could probably save this step and print the image directly onto grid paper if you can line it up. I only had 2 sheets of grid paper, so I didn’t want to be all extravagant with it

Step Two
Break out your felt tip pens, crayons or whatever else you use to colour in with. Now we’re going to fill in the pattern with the fabric colours we’ll use.

This is the point where we’re making the pattern we’ll follow. Follow the grid lines close to your traced outlines, using an “average” technique. This means if a grid square is mostly land, you make the whole thing land. You can also use half squares for shaping, both diagonally and straight. You could probably use quarter squares if you really want to shape everything properly, but that’s very fiddly.
In mine, above, the land was coloured green, the water left white and the ice coloured pale blue. I added deserts later, that’s up to you.

Step Three
Lay your pattern to one side and get aquainted with your rotary cutter. My guide for cutting was 40mm, or 4cm, which gave me an end result of 1 inch squares (2.5 cm). It doesn’t matter what size you use, whatever you’re happy with, but remember your seam allowence and make sure all your squares are the same size.
Press your fabric before cutting, and then go for it. If you’re using scissors, it’s probably easier to rule your lines with pencil or chalk on the wrong side and then cut.

Sort your pretty little squares as you cut into colours, it’s easier later on to dig them out.
If you’re the kind of person who does counting (I’m not) you could figure out exactly how many squares you need and cut just that many. I went with the “Let’s have MANY SQUARES” technique. I’ll find something to do with the left overs later.

Step Four
Sew ALL the squares!
Grab your pattern and number your gores along the top. Promise this is easier later on, because you can number your finished gores the same way and it’s just faster than figuring out if the landmass you’re holding is Asia or Africa.
Now, I don’t have good pictures for this bit, so bear with me as I try to explain.
Working from the top of the pattern down, create the rows as they appear on the chart. So, if you’re at the top, it’s probably 4 squares of white for the first row. Pick up the first two whites, place them right sides together and sew down one side.
Pick up the next white, place it right side to the unsewn side of the previous white, sew the open edge.
As you complete each row, sew it to the previous row – right sides together. You’ll build your gore row by row.

For your half squares, just slap a couple of squares together with right sides facing and sew down the halfway line. It’s helpful to trim the excess off so you have less bulk to sew. Unfold them and sew them to the previous square as usual.

As you finish each gore, label it with a spare bit of fabric with the proper number.

When you have your 12 gores finished, have a cup of tea and iron them well so they’re flat and the seams are set down a bit.

Step Five
Measure a square on one of your finished gores to see what size it is, then enlarge one gore of your pattern on your printer if you have a copying printer or on a photocopier until the grid squares on your paper are the same size as your fabric squares. It’s a bit messy, but it works. Cut out the paper gore (you may have to tape it together first). This is now your cutting pattern.

Take your gores one at a time, lay the pattern on the wrong side and trace around it with a fabric marker, pencil or whatever.
This is not your cutting line, this is your sewing line so make sure it’s nice and clear. Cut around the gores leaving a seam allowence.

Now, shall we see if we can make your sewing machine weep?

Step Six
Pick up gore number 1 and gore number 2. Place them right side together and pin down the seam – pin a LOT. So many pins. They’re not going to line up perfectly because of the curve, so I tended to pin at each end first and then just pull and pin to make the edge match. I did this by stabbing a pin through the sewing line then checking the underside to see if the pin went through the other sewing line. I’m sure there’s better ways, but that worked for me. Just adjust as you need to until the lines match and then you can sew along the sewing line.
Do this slowly – you have a lot of little seamy bits and what not and even the sturdy old Elna from the 1960s I used had some issues. Just be slow and steady and you’ll get there.

Open out the two gores, grab gore 3 and repeat. Keep going until you have all 12 gores sewn.
As for the final seam, if you intend to put a ball or something inside, then leave it completely open. If you’re going to use stuffing, then sew from the top to about half way down, leave a gap of 6 squares, then sew to the bottom.
The point to watch when your sewing is, in fact, the points. If they don’t match perfectly there’ll be a gap in them. Mine didn’t match perfectly. If you can poke a finger through the points, just handsew a bit around the top till they’re closed up.
Turn your planet right way out.

The last thing
Now, you stuff. If you’re using a ball, just pull the earth over the ball and sew up the final gore. If you’re using stuffing, pack it as firmly as possible so the Earth takes on the proper rounded shape. Really pack it full, when you think it can’t take any more, add some more stuffing.
Sew the stuffing hole closed by hand and there you go, you have a patchwork planet of your very own!
Well done :) If you make one, please please add the link to this post in the comments, I’d love to see it.

(My spell check is broken, I think I did okay but if you see any spelling mistakes or typos then sorry about that)

Sew sew sew

The sewing machine has been running hot over the past few weeks. I’m an occasional lurker/poster over at Craftster and was there for the announcement of the May Craft Challenge which was all about the Earth. Since the contest isn’t ready for entries yet (they go up early May) I’m not showing you my finished project just yet, but here’s a work in progress shot:

You can probably tell it’s a patchwork earth right? Well in case you can’t, it’s a patchwork Earth. It came out okay, I think. I won’t win the contest, but it was fun to do and that’s the main thing.

Now, on to finished projects! My Aunt is off to the UK in a couple of weeks and will be staying with a friend who collects owls, so she asked me to make some more Abraham Owls for her, which I did.

I’m really pleased with how the colours on the owls worked out. I wasn’t sure of what colours the recipient liked, so I went with owly colours for safety.  The Abraham Owl pattern is free from Lollychops, while the little crochet guy is a free pattern from Roman Sock.  I’m less pleased with him to be honest, the first one I did came out a lot more owly. Oh well.

Back to the Elna

In 2007 I splashed out on a fancy pants (although heavily discounted) new sewing machine. Gosh it was exciting. Clean white plastic, loads of knobs, dials and buttons, various stitch designs (some of which I even used occasionally) and a complete set of exciting feet (none of which I used apart from the standard one). In 2010, while trying to sew a piece of cotton to a piece of denim, this new machine basically had a nervous break down. The bobbin holder bent rather spectacularly for one, and various other internal bits went out of kilter. While I could probably get it fixed, I’m a bit worried it’ll cost more than the actual machine did.

So, for my current project, I am back on the Elna. The Elna was given to my mother for her 21st birthday, which was in 1968. Solid metal body construction, the Elna is perfectly portable if you lift it with both hands. And warm up first, by the way. You have a choice of zig zag or straight stitch with 4 variations in between. You can also change the tension of the stitch. This is about it for stitch variety.

However, in the 40 or so years it’s been in use, the Elna has only broken down twice. It has sewn horse rugs (made of thick oiled canvas), jeans, curtains… everything you can think of has been under the foot of the Elna and the thing never complains. The only issues with it currently are the kind of thread I’m using, which is admittedly cheap and a bit nasty. The high quality thread just runs on through with blissful ease while the crappy stuff tends to snap and snarl, catching the bobbin into a mess of exploding thread.

I think next time I buy a machine, I will get a second hand oldie. Sure they’re not as whizz bang fancy. They don’t have a line of stitches that looks like little hearts or birds or butterflies, but at least they don’t need to go into therapy if you show them a bit of denim.

As for what I’m working on, well the Platypus Festival is next week so I’m making up some platypi for my stall.  Here are the first three, which I finished tonight.

The pattern is available from Funky Friends Factory.  I have 7 more cut out, one of those is half sewn and also one extra made out of Batman fabric because I’m engaged to a nerd who likes platypuses.

Wednesday WIP with bonus frog.

I haven’t done a Wednesday WIP for a while. Partly because I haven’t had that many crafty things going on, but mostly because I forget these things. I was working on this earlier this evening and I suddenly remembered that today is Wednesday, so here ’tis.

Frog Pile work in Progress

This kit (which is titled Frog Pile) was a gift from my future inlaws for Christmas and it’s very awesome and the colours are just fantabulous. I do sometimes think “Eeep, this is huge” but I’ve done huge cross stitching before and didn’t die (though the owl on black fabric did just about make my eye balls explode and dribble down my face).  Hopefully I won’t lose anything before I’m done with this one, which is my usual habit.

As for your bonus frog, this little guy was on my camera (not literally, keep up) from a small frog invasion a couple of weeks ago. When it gets just too wet outside the house, the frogs come in for some relief. They do need to be caught and returned to the outside world though as they get lost and dry out. This chap (or chapette) was none too pleased with being caught, and less pleased to be placed in the bathroom basin for a while so I could pick the dust and dog hair off her back legs.

Rather adorable though, we believe it’s a peron’s tree frog. Another sign that things are getting back on their feet after the drought – it’s been ages since we had more than one lonely frog a season wandering into the house. Soon as they end up sitting on our windows catching the insects that come for the light we’ll have a small party!

Gnome if you want to, Gnome around the world.

Sorry, I’m in a gnome pun frame of mind.  You see, tomorrow (or tonight at midnight actually if you want to be all picky) the Geocaching Australia Moveable Cache Race begins. Moveable caches are different to normal caches in that when you find one, you grab it, take it with you and hide it somewhere else. Ordinary caches you find, sign the log and leave where they are.

For reasons best known to themselves, the GA community settled on Gnomes as the theme for this years race. I have bored my friends to snores with Gnome discussion, ideas, purchasing, contemplation – I expect they are quite glad to hear that all my gnomes for the race are now placed and therefore I don’t need to decorate or ponder any more of them. So, allow me to introduce you to five of my six gnomes for the race:

GA2890: The Gnome Who Sold the World

This is “The Gnome Who Sold the World”. I had to do a Bowie gnome as soon as someone mentioned his song “The Laughing Gnome” and this one was the easiest. He’s not the best painted thing, but I think the general idea is there.

Don’t disagree with me, I shall weep! WEEP!

GA2891: Batgnome

This is Batgnome. He was originally The Dark Gknight, but Matt sent me a picture of his most bestest Batman, so I repainted to try and match the comic book version because I love my boy even when he’s nerding out all over the place.

GA2893: The Ghost of Caches Past

The Ghost of Caches Past! In the light he’s just white and a kind of puke green/yellow from the glow in the dark paint (which is totally noxious stuff and I hope I never decide to use it again), but in the dark he’s all glowy. This is the best shot I could get of him, my camera just about cried. He’s a bit brighter than this if he’s had enough light on him.  I’m pretty pleased with his hollow eyes.

GA2894: Kimognome

Kimognome! Entirely because “Kimono” ends with the “no” I could use for Gnome. Yes, that is supposed to be a kimono. No, I don’t know what I was thinking. Shut up.

GA2892: Incognitgnome

And last but not least in this post, Incognitgnome. Yes, I did superglue my fingers together while putting this one together, but I think he was worth it :D From the back he’s just leaves, with a tiny little hint of red from his cap to give away his location – I want to be sneaky, not cruel!

The one I haven’t posted here (because the pics are still on the camera and I’m lazy) is just plain white, the idea being that instead of signing a log book, people will sign the gnome.

Once the listings are live (tomorrow) I’ll add a page here so you can see how they’re going – because you care. YOU DO.

The Martha Machine

I can’t say I am a giant fan of Martha Stewart. Oh I know, she’s done great things to encourage craftiness, which I’m always in approval of, but as a presenter, she’s pretty lacking. Now that Australia has digital TV, in amongst the Corrie repeats we have the Martha Stewart Show, and I don’t get the fuss. I tried to get the fuss, and I can’t.

First of, uh, all she’s uh.. um not.. uh that eloquent with uh her presentation uh style. I know public speaking is a tricky deal, especially when you’re being internationally broadcast. I know also that “keeping it real” often means skipping the autocue, but seriously, if you can’t get through one sentence without an “uh” “um” or “ooh” then maybe you should be working from notes.

I can overlook that as a personal style, I really can. What I can’t get my head around is how wealthy she is, and how she reminds her audience of her wealth. “I had guests over for dinner, and it was a disaster. I had to send them out to look at the stables while I fixed it”. “Today we’re looking at peonies, which are a beautiful flower and so easy to grow – here’s one of my gardening team from my farm to explain” “This is my property in Maine, it’s about 600 acres…”. Okay we get it, you’re rolling in cash. I suppose if you’ve got it, then flaunt it, but it does get old really fast.

As for WHY she’s rolling in cash, I suggest you go look at the Martha Stewart Range in any craft supply shop. I can get glitter at my local discount store for a buck. OR I can buy the exact same glitter with “Martha Stewart” written on it – same size box, same quality glitter – for $4.95. I can get plain, flat fabric flowers for less than half the price of Marthas’ range. A burnisher – used for making crisp folds in paper is $14.95 from Martha. Christ on a cactus, no wonder she’s got gardening staff.

Finally, I take issue with her “crafting”. I totally agree that making hand made items should be accessible for anyone. Crafting should not be an elitist activity. Anyone should feel that making something is something they can do. However, when you’re the “crafting queen” and your idea of “making easter baskets” involves hot gluing premade birds to premade nests with premade eggs…

So there’s why I don’t watch the Martha show. Coz she shits me with her expensive supplies and her 47 farms and her gardening team. If anyone needs me, I’ll be up to my elbows in fabric, making stuff.

Oops, forgot to post this.

I posted it to Crafster, but it never made it to the blog proper. My bad! Anywhoo, remember the Eiffel Tower I was working on a couple of weeks ago? Reminder:

Well I finally got it finished (I say finally, but it’s not like I worked on it for 9 years or anything.) It’s been handed over to the new owner, Miss Di, who loves it to tiny bits. Phew! Always hard to know if a handmade thing is going to be the RIGHT thing to give, but she was pretty thrilled with it. So was I.  Here it be:

Looking at it I can see at least 19 different places I’d like to redo, but it’s gone now so I must let it go. LET IT GO.

In other news, the tree from the last WIP post has been frogged since the second draft of the pattern worked so much better. Racing to get them done and felted in time to mail one set is kinda fun!

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