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Wednesday WIP with bonus frog.

I haven’t done a Wednesday WIP for a while. Partly because I haven’t had that many crafty things going on, but mostly because I forget these things. I was working on this earlier this evening and I suddenly remembered that today is Wednesday, so here ’tis.

Frog Pile work in Progress

This kit (which is titled Frog Pile) was a gift from my future inlaws for Christmas and it’s very awesome and the colours are just fantabulous. I do sometimes think “Eeep, this is huge” but I’ve done huge cross stitching before and didn’t die (though the owl on black fabric did just about make my eye balls explode and dribble down my face).  Hopefully I won’t lose anything before I’m done with this one, which is my usual habit.

As for your bonus frog, this little guy was on my camera (not literally, keep up) from a small frog invasion a couple of weeks ago. When it gets just too wet outside the house, the frogs come in for some relief. They do need to be caught and returned to the outside world though as they get lost and dry out. This chap (or chapette) was none too pleased with being caught, and less pleased to be placed in the bathroom basin for a while so I could pick the dust and dog hair off her back legs.

Rather adorable though, we believe it’s a peron’s tree frog. Another sign that things are getting back on their feet after the drought – it’s been ages since we had more than one lonely frog a season wandering into the house. Soon as they end up sitting on our windows catching the insects that come for the light we’ll have a small party!

Of Pandas and Gnomes

More stuff sent out for SwapBot! Firstly, a Perfectly Pretty Panda.

Panda here is made from felt, hand sewn. The K embellishment is because my partners name is Kim and she likes blue, so I personalised ol’panda pants up for her.  You can find the pattern and tutorial for Anna Panda at Molly Chicken.

Next up, we have a Gnome with his fungus, which is how gnomes most like to live.

He doesn’t show up so awesomely in the photo, or even that well in RL :( I think I made the wrong fabric choice for him, but I had a hell of a time getting the transfer to work on anything else. My partner seems pleased with him, so that’s something.  The pattern is a freebie from Andrea Zuill.

Aaaaaaaaand we’ll finish with a WIP, this is for the rainbow flower swaps I’m hosting:

I know, it’s currently not so much “Flowers” as “Teeny flat clown hats” but they WILL become flowers. I’m working on green at the same time, but haven’t sewn those yet, just cut them.

I wish I was more of a fan of pink.

WIP and FO

That sounds ruder than it is. Okay currently I have one WIP (actually I have four – there’s cross stitches I’ve put down) which is this:

It’s an applique for a swap, which will also have two little dolls attached to it, once I sew down the flowers. I can’t iron it to stickieness because I’m a doofus and put the batting on BEFORE I put the flowers down. I am smart! It’s all good though, the stuff I’m using sticks well enough to keep everything in place while I secure it.

As for the finished object, well. I ordered a set of 4 mini art deco inspired cross stitch designs when I bought a wedding sampler for a friend. Soon as I pulled them out of the postpak, Mama claimed them for herself. I’ve done one of the four.

They’re pretty smallish, only 8cmx8cm (3 inches by 3 inches) and they are pretty easy to work, the trickiest part being the many half stitches.  The kit comes with Aida, but I haaaaaate working half stitches on Aida, so I swapped it out for some evenweave which is so much easier.

The set is called “Art Deco Miniatures – Orange” – there’s also a purple range.  They are by Barbara Thompson and very sweet, I love her bigger designs too. Better save up for those!

Cross Stitching Tips.

If you’ve never stitched before, a big kit or chart can seem a bit daunting in the pants, but never fear! I have some tips for joo. They are not endorsed by any one but me, so if your Auntie Millicent says “What are you doing it that way for? Any fool knows that’s wrong!” you can say “Some doofus on the internet said it was okay!”

Always bear in mind I have a slapdash way of doing things. Let’s get movin’

1. Pick charts and kits that appeal to you.
That might seem like “duh” but really it’s kinda important. Unless you’re making a gift specifically for someone else, it’s best to stick to things you want to stitch. Even if you find it on special for 50 cents, there’s no need to force yourself through a dull kit. I’d still buy that though, for the fabric. I’m just sayin’

2. All the top arms of your Xs should go the same way.
Generally, you’ll see cross stitching instructions telling you do to the bottom arm left to right – / and the top arm right to left – \. That’s pretty traditional, but you don’t have to do it that way if you’re more comfortable doing it the other way around BUT – and this IS important – no matter which way you do it, all your stitches should be worked the same way.  If you vary your top arms you’ll lose the smooth even look cross stitch has, and it will be a bit less pretty.

3. Mark your chart!
If you think you’ll be working your chart again at some point, photocopy it first then mark it as you go. If not, just go wild on the original. I like to use a highlighter or yellow felt tip to mark the stitches I’ve done.  It’s a lot easier, for me, if I can still see the symbols under the markings. Otherwise I feel like I’m working blind when I change colours or start new rows. But however you do it, drawing over the stitches you’ve just done will help you keep your place.

4. Start smallish, but be brave.
Quite a few of the Cross Stitch magazines include a free mini kit, or you can pick up mini kits at craft stores for a few dollars. If you’ve never cross stitched before, these are a great way to jump in. The projects can usually be done in a couple of hours and you’ll get a feel for how it all works.

After that, you really can go for about anything you’d like to do.  I mean, I wouldn’t suggest a 18 page chart for project number two, but you could certainly do it. Take your time, enjoy the process and you will get it done.  What I’m saying here is don’t feel you “can’t” just because you haven’t been stitching long. Of course you can. Dive in!

5. Don’t be afraid of UFOs.
We all have them. Lurking. UnFinished Objects in the closet. Aieeee! Fact is, sometimes we get bored with a piece, especially if it’s large. Don’t feel you have to slave through it to the end. Fold it away for a while, work on something else, and get it out later when you’re fresh and ready to work on it. You’ll enjoy the process a whole lot more.

6. Buy the best you can afford
Fabric tends to be the pricy side of any embroidery, as the threads are generally around a dollar or so. You don’t have to buy linen fabric and linen thread, but it’s worth it to get the best you can afford. Cheap Aida in particular is horrible to work with – you’ll strike it in the cheaper kits. It feels rough. Off brand threads are fine for whipping up a card but for larger pieces, and pieces you’ll want to frame or gift, it’s worth buying DMC or Anchor or another big brand. You know they’re colourfast and you know they’ll work up well. Again, you’ll enjoy the stitching more.

7. You don’t actually need a lot of kit.
I’m not saying it’s not FUN to accumulate a million bits and pieces, because it totally is. However, if you’re put off by walking down the embroidery aisle at your local craft shop thinking you need one of everything, you don’t. All you really need is some hoops or frames in various sizes (to keep your fabric taut while you sew on it), a pair of scissors and some needles. You also need a good light source – a daylight bulb is ideal, but you honestly don’t need anything other than a nice bright lamp or overhead light.  Pinky swear it.

That’s about all that springs to mind. Oh, apart from letting your needle hang.

8. Let your needle hang.
“What the hell are you talking about?” Do this often. Once you push the needle through to the back of the work, every so often let it hang. As you work, the thread will twist and your stitches will start to look narrower. Dangling your needle lets the threads untwist and returns you to nice, fulsome stitches.

See? Not demented.

Okay this is  a SUPER long post to not have any pictures in it, so here’s a pic of my current WIP.

I highlighted the dog hair for ya coz I didn’t want you to miss it. You’re welcome.

It’s a frog, btw. The WIP I mean. Ribbit!

Supply Squee

I don’t quilt, but I love Fat Quarters. Love them.  They’re the perfect size for dolls, softies and other smallish projects and cheap! I usually buy the Flat Fats for around $3 a go, which is pretty good value.  Today, at Spotlight, I found the most amazing thing. Check it!

Would you like to know what that is? Shall I tell you? Well okay then. It’s a box of 28 fat quarters.  Guess how much it cost? “I dunno Frog, I reckon probably, at $3 a go, 28 FQ’s would be $84″. You’re right, it would be. This box? TEN DOLLARS. It works out to about .35 cents per FQ.

You can see why I grabbed the box, right? The lady at checkout glanced at it, scanned it, read the screen and then picked up the box and took a long look at it. “Oh my god!” she said. “I know!” I said. So excited.

No idea what the patterns are like, to be honest, as they’re so pretty all rainbow’d up in the box I haven’t opened it yet, but even if I personally don’t like the patterns, it’s all cool as sometimes when I make stuff I use patterns I wouldn’t normally enjoy, and it all comes out so good.

Ten bucks. Not a word of a lie.

I actually went to Spotlight to get some smaller hoops for embroidery as the only one I can find is large. I know I had some other ones, but I have no idea where they be. After cross stitching my framed lady (which was mailed off today) I’ve got the bug again. Digging around in the “Fabulous Finds” racks where I found the FQs I found some kits. Huzzah!

Not bad for the price. I also have some others I should work on, as well as a wedding sampler to get moving on when it arrives. Busy busy times!

Did I mention the FQs? Yes? Okay just checking. They were ten bucks, you know.

The Dame Was Framed

So after a marathon session last night, I finished my Framed Lady. I’m going to be honest with you, it was a case of “Third time is the charm”. Here she is, in all her shiny (and unpressed) glory.

Small confession, her left arm.. or is it right? The one pointing down and not holding a flower anyway, I messsssed it uppppppp! Her hand is supposed to be more… well claw like actually. I made a mistake somewhere in the ground area under it, and I cannot for the life of me see exactly where I went awry. I’ve checked, counted, checked, counted and everything looks fine, but is still somehow wrong. I don’t know. I think it’s okay as it is. Yes? Validate me.

As mentioned, I actually had two stabs at this lady before starting this one. The first go was ruined by dodgy grid product. I picked up a clear perforated sheet that is designed to let you stitch onto any fabric, then dissolve the plastic in warm water. It sounded so much easier than the waste canvas method, which I usually avoid because I can never pull the threads out cleanly. I think this stuff would work super well for very small designs, it’s not made for larger things that are worked on longer term. Things stretch, shift and generally get messy.

As I worked down the left border I realised that even though I’d been super extra careful to tack the stuff on tight and smooth, it was buckling. You can see the ripples in this shot even. It was a MESS. Stitches vary in size and tension, the whole thing is slipping on a diagonal and it looks like hell. Ghastly stuff, won’t touch it again.

The second attempt I didn’t even photograph, I just gave up about 4 rows in. I was stitching the negative space on black aida with perle cotton. It looked like a dog had eaten it then brought it back up.

Here’s my poor old dog eared chart. The yellow is attempt 1, the orange is the final attempt, and the blue is attempt numero two.

You’ll notice the design is very blocky, and it did take some will power to not throw some half stitches in there to smooth it out a bit. It’s actually a filet chart from I-Don’t-Know-What-Year, but if you’d like to see it in all its glory and perhaps have three goes at getting it right yourself, you can grab the book .pdf from right here. Made available by the Antique Pattern Library.

Variegated Experiments

I’m a sucker for variegated thread and yarn.  I’d say around half my yarn stash is variegated in various forms, from the subtle tones of one colour to a whole matching palette.  Since I mostly crochet pretty simple things, I like the variations to make it more interesting to work and look at.  So, when faced with a cross stitch project that was to be worked in 1 colour OR a variegated thread I jumped hard on the chance to play with variegation in embroidery. You should also know that “variegated” is one word I can never spell correctly on the first go, so this constant repetition of the word is making my brain ache. Next post will be about cats. I can spell that.

Anyways. Moving swiftly onward. I’ve been working the piece with the usual method – making one whole cross before moving to the next one. Overall this has given it a nice graduation, but being me I wanted to see what else I could do with it. Since the main piece is for a swap, I couldn’t very well start fecking about with it, so I picked up some more thread and had a play.

This sample is stitched in the generally common method (as far as my research could tell me). Instead of doing all the bottom legs of the cross, then going back along the row, each stitch is fully worked before moving on. This seems to eat a lot more thread, but it does give a nice graduation of colour. It also seems to take longer, but I might have been imagining that, who knows? Sometimes I think I’m a princess, so it’s safe to say I could be making crap up.

This one is done in the usual cross stitch method, all the bottom legs are worked, then all the top legs going back along the row. I tried to fudge making a larger sample by looping my thread over the hoop before returning, but it’s still given me a nice toning. You can see best along the bottom the effect of two tones of thread.

Finally, I shook things up mad style (I’m a rebel baby) by separating two strands of the thread, then turning one around so the graduations didn’t match up. You can see where the tones start to match each other on the bottom row of stitches. You can also see, if you’re looking close, a long black dog hair. I have a border collie in the house.

So why use variegated thread? Well, it’s a quick and easy way to create interest in borders or alphabets, and a good way to add some depth to large areas of background, or embroidered water, sky, trees… Depending on how you use it, you can give a chopped up colour effect like the bottom sample here, or you can make a smooth graduation like the top. It also makes each piece your own, as no two variegates will  varie their gates in the same way.

As for the piece I’m working in variegate right now, it’s from a pattern from the 1890s or something like that. Since it’s all “one” colour, I decided to make it more fun for myself (and maybe the person I send it to) with fancy pants thread.

That’s the border, I took a bunch of photos of the border because it came out so well (I’m easily amused). I’m about half way through the center, so I’ll post that when it’s done and you can be super impressed with my skillz.